Nigeria’s reggae icon, Ras Kimono is dead. Kimono passed on earlier today at  the  Lagoon Hospital, Bourdillon, Ikoyi, Lagos  barely three weeks after he celebrated his 60th birthday.

Born Ekeleke Elumelu,  Kimono who hailed from Delta State dropped his  debut album Under Pressure, led by the single “Rum-Bar Stylée”,  which was a big hit  in 1989. Shortly before he released his solo album, he was in a group called The Jastix along with Amos McRoy and Majek Fashek.

 

He started out his career, firstly as a student of Gbenoba Secondary School Agbor and later as a member of the legendary Jastix Reggae Ital, alongside Majek Fashek, Amos McRoy Jegg and Black Rice Osagie.

ALSO READ:   Mother's Day Celebration: Bovi's Hilarious Message To His Wife

His music was greatly influenced by the poverty, inequality and hardship he witnessed in his early life. He released his solo debut album “Under pressure” on the Premier Music label in 1989, which propelled him to instant continental stardom. The album had hits like “Under pressure”, “Rasta get jail” and the massive hit “Rhumba style”. He later released a string of hit albums, touring all over AfricaEurope and the USA, promoting his brand of Reggae music. He has won several awards including the Nigeria Music Awards, Fame Music Awards and many more. by 2010, He was still performing to a loyal fan-base of all ages and his music is still played on Radio, throughout West Africa. Kimono served a long apprenticeship on the Nigerian music circuit, experimenting with a number of styles, before making his late 80s breakthrough as a reggae singer.

ALSO READ:   Paternity Fight: Tyga Sets Record Straight On Kylie Jenner's Baby.

Together with his Massive Dread Reggae Band. Kimono released his debut album, Under Pressure, in 1989 Accompanied by the popular single, ‘Rum-Bar Stylee’, this revealed both a Jamaican and native African influence (the latter particularly evident in his ‘Patois’ delivery, as frequently employed by Fela Kuti to communicate with the urban underclass). His strongly polemical lyrics produced album sales of over 100, 000 copies, and a fervent following for his advocacy of social change.

What’s Gwan proved even more successful, with the topics selected including legalisation of marijuana, and the need for Africans to intellectually repel colonialism and its arbitrary boundaries between tribes. Most controversially, he was not averse to naming directly those in power he saw as synonymous with backdoor imperialism.

 

ALSO READ:   'We Didn't Censor Falz's "This Is Nigeria" Video Before It Was Released' - Nigerian Film Censors Board

NOTICE

Copyright 2018 E247Magazine. Permission to use quotations from this article is granted subject to appropriate credit being given to https://www.e247mag.com as the source.